A grieving woman living in a decaying apartment building becomes obsessed with her neighbor. As she secretly watches the life unfolding through the cracks in the wall, her longing for connection spirals into a dangerous fixation with horrifying consequences.

Film Stills

Set Photography

Process

The Dance of the Seven Veils is a short film that combines live-action performance with digitally created environments. Inspired by Oscar Wilde's play, it reimagines Salome's ritual dance as a journey of transformation and decay. The film begins inside a grand palace that is slowly collapsing. As Salome dances, her veils become wet and cling to her body, turning from symbols of beauty into instruments of suffocation. At the same time, a dark desert hidden beneath the palace is gradually revealed, while the architecture around her starts to disappear. As the space dissolves, Salome begins to sink inside desert sand. Her body slowly vanishes piece by piece until only her head remains. Through the collapse of both body and architecture, the film explores themes of desire, mortality, and the loss of identity.

Final Stills

Digital Fabrication

Concept Art

A 30-second spec campaign for Gentle Monster that reimagines sunglasses as a Michelin-starred dining experience. Blending on-set production with VFX, the film transforms the backstage rituals of fine dining into a meticulous service performance, where each pair of sunglasses is prepared with clinical precision and presented like the evening's signature course.

Final Stills

Process

The film explores noise cancellation as both a sonic and visual experience. Inside a chaotic office, one character remains calm, protected by his earphones. Through one continuous pull-out shot, an intimate composition gradually reveals the disorder surrounding him. Lighting becomes a visual expression of noise cancellation: a warm, dramatic glow creates his private world, while removing the earphones returns him to the flat fluorescent reality of the office. The visual language draws from Caravaggio's tenebrism, Georges de La Tour's candlelit intimacy, and Gregory Crewdson's staged photography, contrasting the chaos of everyday life with a temporary, personal space of calm.

Final Stills

Set Photography

Process

In a surreal, movement-driven descent into Lady Macbeth's fractured psyche, three spectral figures; echoes of the witches, invade her dreamscape, forcing a haunting reckoning with her guilt that drives her toward madness and an inevitable death.

Stills

Process

Set within a single house across three eras (the 1940s, late 1970s, and the 2020s), the film traces how domestic rituals reflect changing relationships to faith, identity, and intimacy. Observed through mirrors, doorways, and architectural thresholds, the walls of the house serve as objective spectators. Vignettes displaying repeated gestures across generations reveal the gradual loosening of religious authority, the diversion from gender norms, and the reconfiguration of private life as cultural values shift. As the inhabitants change, the house remains, preserving the imprint of each era's values, tensions, and quiet transformations.

Stills

Process